I didn’t see this one used a whole lot growing up but looking at it now, it was before its time. Why? Because everyone knows you can get that effect and more by writing with a highlighter then tracing around it with a bic pen. It looks weak as a thumbnail and even weaker full sized. Which means that even as a desperate ten year old procrastinator, I never stooped so low as to test out this option. It draws attention to the topic but also fits well as a page header.” Breaking news: Simeon Brown is in fact 95 years old. Meanwhile, fellow National MP Simeon Brown’s favourite was number three because “it was a great header when I was creating a document. What’s more terrifying is that she followed up with “and sometimes 15”. National MP Sarah Dowie has admitted to using number four the most which is admittedly a little terrifying. These boring options also acted as a solid foundation if you were planning to go multi-layered and colour in on top of your printed work. It’s amazing how much time you can spend perfecting the intensity of a curve when you haven’t got bright colours doing all the heavy lifting. I utilised the top row of WordArt a lot because we didn’t have a colour printer at home and even when we eventually did, I was very far down the list of “people allowed to print in colour”. Shockingly few got back to me but those that did are featured below. Note: I asked every current MP under the age of “old” for their WordArt preferences. So what better place to start than the fonts without colour or style. And your choice of WordArt font says more about you than any personality test ever could. Nothing is original and nobody cares.īut enough about life, WordArt was invented to celebrate colour and style. Thanks to the current climate of irony to a fault, it’s cool again in 2019. It was cool in 1997 and managed to stay cool until at least 2005. This one is yellow and squiggly and this one is yellow and pointy! And this one is just normal text that’s been sat on! Oh how we marvelled at the diversity anyway. An incredible time investment considering, once again, there were exactly 30 options to choose from.īut not only were there finite options, there was – in hindsight – decidedly finite range. If the teacher assigned one hour for a project, 45 minutes of it would be dedicated to choosing a title and subsequently a WordArt font. Something unique, or as unique as you could get within the constraints of exactly 30 options. No, every school project needed something more. Not for the body of text Arial shmarial, who cares. Every school project needed the perfect font. Once upon a time the most important decision in life was choosing a font. Madeleine Chapman looks back at the fonts that shaped many children’s lives. School projects weren’t complete without a meticulously selected WordArt title.
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